My design practice begins with matter as a meeting point between technique, culture, and sustainability. Each project is an exercise in experimentation, a space where mineral, organic, and industrial residues are transformed into new material languages.
The work emerges from a careful observation of production processes and the potential of their waste. From marble residues, I develop composites that reintroduce waste into the production chain, giving rise to pieces that reconcile aesthetics, function, and environmental responsibility. This research evolves toward other materialities, such as biomaterials derived from organic waste, ceramics, and glass, in a constant search for coherence between form, process, and impact.
Each project presented here reflects a phase of this transition: from mineral to organic, from industrial to artisanal, from object to system. More than products, they are essays on how design can regenerate materials, territories, and ways of making.