The Lúnulas Tables were born from attentive observation of what, at first glance, seemed to be nothing more than waste. It was in the irregular accumulation of marble leftovers, in their curves and imperfect cuts, that the design revealed itself.
The name comes from the Latin lúnula, meaning “half-moon,” reflecting both the shape of the legs and the essence of the project: a piece that balances the natural and the precise, the handcrafted and the technological.
Created from discarded fragments and shaped under the flat-pack design concept, the Lúnulas propose a new perspective on contemporary furniture, objects that move between art and function, lightness and assembly, yet carry deep material and cultural meaning.
Each table becomes a celebration of matter and time a gesture of repair that transforms what would be discarded into presence and permanence.
The creation process of the Lúnulas Tables begins with the careful selection of marble residues — mainly blocks with curved forms resulting from the extraction of cylindrical cores. These almost sculptural fragments are analyzed, rectified, and sliced, preserving their natural geometries as the starting point of the design.
The bases are made of reclaimed marble, while the tops are produced in Stonesis, the mineral composite developed from marble powder and slurry. This combination of handcrafted precision and industrial process results in a highly resistant piece with refined finishing, where every detail honors the original essence of the material.
Each Lúnula is therefore a unique piece an expression of a complete cycle between observation, transformation, and conscious creation.
The packaging for the Lúnulas Tables follows the same ethical principle that defines the project: reducing environmental impact and promoting circularity.
Developed without the use of plastics, it relies on recyclable materials such as reinforced cardboard, wood, and natural fibers. The flat-pack system allows the table to be shipped in a compact format, optimizing transport and reducing CO₂ emissions during logistics.
Each package is an extension of the design itself conceived not only to protect but also to communicate the care and respect that guide the entire production process. Thus, the cycle closes: from the observation of waste to the final product, from form to sustainable gesture.